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Bunnies and so on
Jul. 13th, 2002 03:46 pmRight, first I'm just going to do the really big plead :
If anyone, *anyone* has or knows where you can get the Colonial Uncial or American Uncial fonts, tell me, please. They're really common Book of Kells/Medieval fonts, utterly overused in the design world and any flyers for stuff like Robin Hood and anything vaguely celtic. Example. I'm begging here. When my computer died I lost them and I've been searching all over for them, but no go.
Oh, and the bunnies are on the rise. Writing a Wes and Faith in London piece - a little dark, a little emotionless, a little tired, getting on with life post prison and LA. I'm pretty sure it starts in the Waterloo area, as that's what I had in mind when Wes was waiting under the railway bridge.
Making myself write up at least the first part of my celtic slayer. Inspiration from Rosemary Sutcliffe's stuff, Sun Horse, Moon Horse, Sword at Sunset, Mark of the Horse Lord. English celt, almost certainly pre-Roman, fear coming from the east. Little dash of Susan Cooper's Dark is Rising, the way she has the flashbacks.
And the Much/John that's been sitting on my computer for effing yonks seriously needs attention, as does my Bran/Will in Oxford. They're unfinished, need something more. Bran/Will needs something in the middle, expanding and tying up the loose ends. The end's written. Much/John has a decent start, but it's where to go from there without practically duplicating Richard Carpenter's first scene with them in The Hooded Man, his novelisation of the first half of the Jason Connery episodes of Robin of Sherwood.
If anyone, *anyone* has or knows where you can get the Colonial Uncial or American Uncial fonts, tell me, please. They're really common Book of Kells/Medieval fonts, utterly overused in the design world and any flyers for stuff like Robin Hood and anything vaguely celtic. Example. I'm begging here. When my computer died I lost them and I've been searching all over for them, but no go.
Oh, and the bunnies are on the rise. Writing a Wes and Faith in London piece - a little dark, a little emotionless, a little tired, getting on with life post prison and LA. I'm pretty sure it starts in the Waterloo area, as that's what I had in mind when Wes was waiting under the railway bridge.
Making myself write up at least the first part of my celtic slayer. Inspiration from Rosemary Sutcliffe's stuff, Sun Horse, Moon Horse, Sword at Sunset, Mark of the Horse Lord. English celt, almost certainly pre-Roman, fear coming from the east. Little dash of Susan Cooper's Dark is Rising, the way she has the flashbacks.
And the Much/John that's been sitting on my computer for effing yonks seriously needs attention, as does my Bran/Will in Oxford. They're unfinished, need something more. Bran/Will needs something in the middle, expanding and tying up the loose ends. The end's written. Much/John has a decent start, but it's where to go from there without practically duplicating Richard Carpenter's first scene with them in The Hooded Man, his novelisation of the first half of the Jason Connery episodes of Robin of Sherwood.
