burntcopper: (colin)
Saw Wanted. It is gloriously silly, immensely pretty, but so very awesome (with a side order of '...this is so crap but it's too much fun'). And everyone in it is SO VERY DUMB. If they shared half a braincell between them, they'd be dangerous. But my word it's pretty.

All the adverts were kiddy ones, and even the car one was for a 7-seater people carrier. And the Cbeebies one was causing acid flashbacks. Except for the Nokia one which was deemed utterly crap and incoherent. Audience was wondering aloud if we'd stepped into the wrong cinema. Trailers were all in the 'biiiig explosions' vein. Death Race (with added Jason Statham flexing some very nice muscles) looks of the fun. I think I'm the only person in the country who doesn't want to see 'Wall-E'. Guy Ritchie's latest British crime caper also looks fun and terribly stylised. And then we had the Rob Lowe Orange trailer : audience rapt.

Further notes : I sneezed rather loudly just as the BBFC certificate came up and for some reason this sent entire audience into peals of laughter. My weak moan of 'shut up, you bastards' only furthered the giggles. Conclusion : Cbeebies trailer with sing-along affects the brain.

Did quick conferring between me, Inal and Shely. Angelina Jolie is 'dribble', but Salma Hayek still wins overall.

...So, has anyone drowned yet in the UK? 1 months' rainfall in a day.

[livejournal.com profile] trinityofone has just read Guards! Guards!. And has made the point of '.....how is it I missed that?' that Carrot *is* Benton Fraser. (I pointed out that he gets more Fraser-ish as the books go on, espesh wrt passive aggressive and playing dumb, and sending partner insane. Dear god. Angua=RayK, y/n? Carrot's better at playing the system, though.)

Find self wanting narnia fic. anyone got any recs for decent narnia fic comms? There's a thousand and one out there, the problem is figuring out the tone. (and yes, I do want adult sensibilities - I used to have [livejournal.com profile] narniabynight on my reading list - anyone know if that's still decent?)

Brain has now decided it wants to work out the problems of a world where the Pevensies stayed in Prince Caspian - political, clashes, culture clashes, Telmarine resentfulness over the fact that they favour the Narnians and that they're suddenly being ruled by children, court rumour-mongering, Caspian's place (because there's no fucking way the Pevensies would relinquish power to Caspian), him having torn loyalties and stuck being the go-between. Oh, and occasionally setting his brain to 'gibber' mode due to the way the Pevensies casually drop cultural bombs when telling stories, not to mention the brain breaking of Lucy (is she 13 or 12 in new film age?) talking about very bloodthirsty battles and such. (he's really getting smacked in the face with the old maxim that you never want to meet your heroes/figures out of legend) On that theme, Susan and Peter really need to properly break his brain. Susan/Peter/Caspian triangle for the WIN.

work do tonight, theme being beach party. have bikini and sarong. the fact that rain has only been a couple of showers bodes vaguely well...
burntcopper: (chaucer good)
Went to see Prince Caspian with Lissy and Emma (was meant to see Wanted with Megs, Jane and Jen, but certain people had to pull out so we postponed - I was poking the odeon website and told Lissy I was buggering off out of work 15 mins early to go see Prince Caspian and she went 'ooo? where?'). We may have over-squeed a bit. It was just so... so perfect. Edmund! Lucy! Peter! Susan! all the Telmarines! (Lissy, being a horse person, kept squeeing over the Andalusians, so we said 'fine, you can have the horses, we'll have the Pevensies and Caspian') I also may have scarred their brains a bit by mentioning :cough: the most frequent fic pairings for the Pevensies. Though they are in *total* agreement that Edmund is completely gay and that he so ran the intel and spy section.

Now watching LWW. They so wee! So innocent! and so..so... sorry, brain breaking after watching Peter try to handle a sword with no idea what he's doing when faced with Maugrim. This is after I've watched him fight battles and do some really fucking dirty one-on-one combat against Miraz a couple of hours ago. (there's headbutting in Caspian. Disney movie. Headbutting. For reals.) Post Prince Caspian, it's really really clear that Peter spent half his sodding time as a soldier. as did the others. Pevensies when faced with battle know *exactly* what they're doing. And hee, just got to the bit where they're about to go into battle and Edmund's starting to show signs of the completely supportive no-nonsense 'gets stuff done' person he's become by the time of Prince Caspian. ♥ Oooo, and just noticed : Peter at the first battle is wearing the same design of armour as he does in Prince Caspian, just... smaller. And shinier.

oh lord, now I desperately need post- Caspian fic back in the real world. And, er, au fic of them grown up and Peter as a soldier and leader of men who the army officers keep blinking over because this public school boy from Finchley who gives off this impression of perfect battle-hardened soldier and officer who has this ridiculous talent for tactics and didn't need lessons in dirty fighting. The fencing club learned long ago that he doesn't understand rules and sportsmanlike behaviour if you put a sword in his hand.

And dammit. Prince Caspian didn't have James McAvoy.
burntcopper: (snobbish)
Went to see Iron Man with megs, jen and graham.

All you could hear from our row were little squeaks of joy and omigodomigod and clapping noises and the occasional sound of me being flicked in the head by meg due to hyperventilating and excessive grabby hands.

It is... it is perfect. Even if it wasn't a superhero film, it would've been perfect. The script was brilliant. The casting was sheer joy, and all the acting was great. The action didn't let up. The action was balanced with character moments. The effects fit seamlessly. The editing was bloody brilliant - no scene ever lagged or was too long. There were no plotholes at all. The science made sense! The little geek shout-outs were just icing on the cake. And then we had Paul Bettany as Jarvis. :thud:

Trailers? We fully support Edward Norton as Bruce Banner. And actually *want to see* the Hulk film. Which we didn't when it was Eric Bana.

Also, in Pizza Express, we started casting other things. Mostly Internet Jesus comics, so Graham had noooo idea what we were talking about.

And we had to veto Megs from casting James Puresex as everything. Except Midnighter.

our pickiness, let me you show you it )

...weirdest spam title : Update Your Penis.

We now have images of penis v 1.0, requiring a software upgrade. And 'What the hell are they doing to those poor robots in Japan?! They don't want to have sex with you perverted humans!'

...dammit

Mar. 24th, 2008 09:36 pm
burntcopper: (belle hmph)
Don't you just hate it when people know your guilty pleasures?

Dad walks into the kitchen when I've just got all the stuff together for cutting and pinning a costume (cloth, patterns, tools, etc) - no way am I going to get the sewing done today - reads a bit of a review out of the tv mag, we giggle, and then says casually 'oh, and The Princess Diaries is on in fifteen minutes, so you'll be moving all that into the study, right?'

Me : '...I hate you so much.'

So yes, I did de-camp to the study and did all of the cutting on the bay window ledge whilst watching the film while mum watched it on the sofa after some deliberation and constantly turning around from her idle surfing on the computer. And then put on The Princess Diaries 2 after about fifteen minutes of godawful Tim Westwood on the radio (seriously, does that man not know how much people take the piss out of his put-on voice?) as something more cute, funny and non-taxing.

Just the waist-bodice thing to go. :sigh:
burntcopper: (chaucer lit genius)
Why didn't you tell me about this? Why did I have to find out through an icons post? (admittedly it's a very *pretty* icons post....) and one of the actresses looks really familiar and I can't place her. mutter.

saturday

Jan. 6th, 2008 01:56 am
burntcopper: (jack smile)
Enchanted? Absolutely adorable. Really, really adorable, and so very funny and witty - best moments for that are when bloke leaves Giselle in office reception and comes back to have everyone looking very, very weirded out, and the Central Park song and dance sequence. 'How do you know the words? I've never heard of this song!' It doesn't miss a beat, Timothy Spall is great, Pip the Chipmunk wins *so* much, as do the NY public workers and James Marsden is so pretty yet so very, very dumb.

I need this film in my life. NOW.

Also, I need to see St. Trinians, according to Taz's review and the fact that when I asked the usher if it was any good, he said 'it's really funny, and every performance sells out'.

Once again, Bay Trading is evil. So very, very evil. Fortunately, I lack the cash for it to be really evil - went in for a pair of jeans I'd tried on during the sales (never fails, this - sales on, heather makes beeline for new stuff) and will have to turn up as they don't do petite, got a pair of denim shorts in the sale since I've been meaning to get some shorts since April for summer wear as the only shorts I own are very tiny hotpants or my black dressy ones I use for Cabaret. Then stared a lot at the various shirts and went 'wibble' a lot whilst I convinced self that I really don't need them since I exist in t-shirts and jeans.
burntcopper: (here be monsters six)
I have seen. Really, really good film - midwife gets caught up in Russian underworld goings-on when a 14 year old bleeds out whilst giving birth on her ward. Great script, acting's brilliant, camerawork is gritty and noir and brilliantly framed. One of those films that really, really makes you feel you're *in* a place even if they only use a few locations and it doesn't try to go 'we're in LONDON! Let me show you this red bus and this bobby!' It's like Gangster no. 1 in that way, and oh god how is it like Gangster no. 1 in places. There's a scene where audience hissed and whimpered and cringed from what was happening onscreen all at once.

Viggo? Please stop doing that calm, emotionless, rarely changing the facial expression aside from faintly amused, or disgusted with someone else's behaviour and therefore disapproving. It's fucking scary.

In conclusion : rent this on dvd. You won;t regret it but you will be going 'eeeeeeeep' fairly early on and won't stop going 'eeeeep' for a while after.
burntcopper: (jack headtilt)
Today's case of '...my god some people are blind' :

Someone on the JB list, in the wake of eps 12 and 13 airing in the US, went 'omg, since when has Captain Jack been Gay?' (and yes, they did capitalise the gay every time they used it)

See rest of list go 'er, I'm sorry, did you *miss* the entire series of Torchwood? All the Ianto comments? The stopwatch bit? His very first scene in Doctor Who, since you said you watched those? The fact that he snogged the bloody Doctor? Every single interview/review/tv guide snippet about the series?' 'ALSO : NOT GAY. OMNISEXUAL.'

Oh, and they also seemed unaware that John is gay. Even though he mentions it in, oh, every interview and the sheer amount of press he did for Torchwood's US launch.

Plus : Must smite those who capitalise 'gay' every time they use it in a sentence. Big. Deal. How about we capitalise 'heterosexual' every single time? Cause sweetie? It looks patronising.

Watching Superman Returns. :sigh: tiny screen really doesn't do it justice. Also, I heart Lex. And Richard. And Jason. And Lois. and Perry. And all the henchmen. Especially the henchmen. (okay, I may heart Clark too, but... just not as much as the rest of the cast. except the simpering girlfriend who I wonder why Lex keeps around, like all useless simpering girlfriends of really cool bad guys) That's one *shiny* film. Its prettiness is beyond compare - the only way they could actually make it prettier is to have used Michael Rosenbaum instead of Kevin Spacey. And to have strangled Parker Posey's character within two minutes.

Oh, just got to the bit on the island Lex grew from crystal + kryptonite. And as ever, my comments from when we saw it at cinema come flooding back : 'Lex, it may be bloody extra real-estate but hello, no arable? Also : it is very, very clearly brittle, which makes it kinda crappy for building owt on...'' Plus : please don't commit one of the first rules of Villainry : chucking the *almost*-dead hero off a cliff normally means he'll come back. Much better to let him bleed out in front of you. With a coroner's report.

Also, I have new boots. probably the closest to knee-highs I'll ever get given my calves. They're DMs, brown and rather nice, with many buckles that on their widest setting let me actually fit in them. boots! ) And when I get back to civilisation, I will steadfastly ignore the fleece-lined CATs I saw of similarness for about £20 more.
burntcopper: (them)
Have seen Ratatouille. I believe the family Wallace reaction is summed up 'SQUEE!' It let us geek over some glorious animation (the stuff by the Seine was just...mmmmph. Practically porn, really.), attention to detail in kitchens and 3-star restaurants, food critics, kitchen goings on, gourmet food, and terribly amusing jokes. (several laugh-out loud moments, but mostly categorised as 'witty') And it has Peter O'Toole. They're one step closer to borrowing my Kitchen Confidential cds. The only way this film could hit more family Wallace film-kinks would be if it was historical. And had more British National treasures in it.

And then we went to Loch Fyne. Happy times.
burntcopper: (chaucer lit genius)
flat hunting? don't talk to me about flat hunting. Gah. I've booked/emailed a couple more people, but the one I really want isn't having flatmate review til next week.

Need to get tickets for Regents' Park open air before the 16th - either Macbeth (HJ's utter weakness) or Midsummer Night's Dream, which is... it's entirely appropriate for this time of year, okay? Amused by the bit stuck on the new 39 Steps posters - 'Now with Full Air Conditioning as Bonus!' ... Do they know something about this August's weather that we don't?

not to self to do the WIP meme when get home.

Also, pondering the weirdness of the English - well, not language, but spoken. English is the original mash-up language. It's composed of one base language with another laid over the top, meshed and changed vowel sounds a few times down the centuries and has hordes of words stolen from other languages, fitted in seamlessly. So why the hell do we have such problems with long names or names with loads of consonants in? The amount of times you see us (and yes, I'm including me) attempt the first couple of syllables and then give up is untrue. I'm thinking it has to be a mental block when it comes to the long names, since the majority of English names (sur, first or place) don't tend to contain more than three syllables, and it's well known that we're very, very fond of shortening anything more than that into a nickname or shortened version. Not to mention the several names that *look* long in the language that're actually *said* as something quite different. Featherstonehugh (Fanshaw) and Gloucestershire (Glos-ter-shur), I'm looking at you. (anything with on-the-wold tacked on the end doesn't count, since that's a clarifier, not the main name) So the amount of Indian sub-continent names that get short shrift, I'm really sorry.

And then you have the ones with lumps of unfamiliar consonants - nearly all dutch or east european. Which is slightly more understandable when it comes to language; if you're not used to pronouncing/processing from written to spoken that combination of sounds, you nearly always stumble. Even though that really shouldn't be an excuse in English, considering our penchant for nicking any words we fancy from probably every single language on earth. (especially considering the most recent immigration flood of Poles) I do find it vaguely amusing that the English language - the way the vowel and consonant combos go - has less trouble processing Far East Asian, African, Pacific island and South American vowel/consonant combos than it does ones that are on the closest land mass.

Watched Midsummer Night's Dream last night. ...Why do I always forget Christian Bale's playing Demetrius? I remember every single other person (it is a cast of immense pretty and acting skill, with the *only* piece of miscasting/not quite up to the job of handling Shakespeare being Michelle Pfeiffer as Titania - and that's bloody amazing for any Shakespeare, let alone filmed). He's a brilliant Demetrius, and one of his scenes with Calista Flockhart tends to make me fall over with guh every time (let's just say it involves the line 'the rich worth of your virginity' said in a very low tone of voice and leave it at that - [livejournal.com profile] the_oscar_cat, the area for drowning in puddles of drool is over there.). Maybe the Rupert Everett/Stanley Tucci/Kevin Kline/Anna Friel/Dominic West combo just makes my brain explode too much. And as ever, it's very clear that Kevin Kline was utterly robbed by the period of film he was born into. He needs swashbuckling, athletic works that require him to be 27 Pirate Kings swinging on ropes all at once every second. Every non-flamboyant role I've ever seen him in, the director is clearly having to sit on him heavily and not always succeeding.
burntcopper: (here be monsters six)
Certain people will have heard me screaming about the adaptation of The Dark is Rising by Walden media. For those who nothing about this, it started as 'Huh, the people who did the narnia film? sounds good...' Christopher Eccleston had been cast as The Rider, which made many of us nod in approval, even if he didn't have red hair. And then we heard that Will would be aged up to 13, american and that they'd be updating it a bit. We winced slightly but thought 'well, hollywood.' First couple of pics weren't bad. Good thematically, and Maggie the Witch-Girl looked perfect. And then it got worse. Boy did it get worse. Everything from turning his family (who love each other to pieces and spend their time gently squabbling) into bitter and picking on him and his parents barely there, to cramming it with action sequences to... and then we heard about the removal of all Arthurian stuff. (which is just slightly important to the plot of future books) By that time the comms were actually cheering because this meant that they'd completely disqualified themselves from using one of the main characters of the later books and we really didn't want to see what they'd do to him in the name of Hollywood and updating.

A couple of days ago they released the trailer. The US one. which is... oh god. I put the link up on the main comm. I've never been the cause of that many people reaching for the vodka or going 'KILL IT. KILL IT WITH FIRE'. There are... what appear to be american shopping malls. ...near a small Buckinghamshire village? No English accents. American security guards. Cod-Harry Potter bits. God, not even the Stanton *house* looks like it belongs. The action scenes... argh. There are vikings. Time travel. WTF? The international trailer is marginally better, but we've all seen the US trailer now and don't think you can get around us by trying to ape LOTR.

..Seriously, it's got nothing to do with the book beyond the title. Why did they even bother keeping the title? They've made a generic cashing in on Harry Potter film. and bludgeoned a bloody brilliant series of books to do, which are not about action sequences, they're about slowly encroaching fear and spookiness and ... oh, *stuff*. Fuck you, Hollywood producers. [livejournal.com profile] mrmrsmith always accuses me of ruining his childhood by running the slash archive for The Dark is Rising Sequence. I damn well respect and love the books and characters. It's more than this film does.

And what's really weird? They can't even be bothered to use the proper sign of light, which is probably the most simple symbol to reproduced out there. circle quartered by a cross.

People have been suggesting that it might be more faithful to the books to have a film done where the main characters were transformed into Last of the Summer Wine types, with Miss Greythorne going all Nora Batty and Merriman being Compo. Or one where they went all League of Gentlemen and Little Britain, where the Dark were really only out to keep the nasty Americans out of their village. Come on, you can so picture it : Christopher Eccleston doing the 'Local place for Local people' line.

:ponders setting up a guide to the books and characters: Fox has bagged the .co.uk to direct people to the generic fox site, and thedarkisrising.com is a susan cooper site. It would be wrong of me not to educate the masses.
burntcopper: (potc me too)
Have finally seen Pirates.

[livejournal.com profile] jamjar and I nearly hurt ourselves, we were laughing so much. Also, ooo pretty action sequences.

Oh my god, I can finally actually click on the [livejournal.com profile] sparrington posts.... (and yes, I'm as amazed as you I've managed to remain spoiler free)

ETA : Torchwood Babies. - you will die from cute.
burntcopper: (dr martha entertain)
Internet down at flat yesterday. :mutter: Which meant I couldn't download Blink and scare myself shitless again courtesy of Stephen Moffat's campaign to make people hide behind the sofa and instill terror of inanimate objects in an entire generation of children. Oh god. I've just thought. The mime-statues in places like covent garden. AUGH.

Nor could I finish dling the results show of ADWD and watch Lee Meade and Keith be frankly adorable when Lee won. Somehow I think Keith? Never going to complete that theatre course he was starting at the beginning of the show. And I'm guessing Lewis won't be starting his next year of theatre school either... (seriously, he used to piss me off immensely, but the last two eps, he made an enormous leap in maturity and stage presence. If he'd won Joseph, you'd have got a damn good show. But LEEEEEE! :squeak:)

Instead, had nap and then watched Topsy-Turvy, aka the making of the Mikado. I squeak a lot when watching this as a matter of course as it is. And then kept going 'hang on, they were in it?' (normally as chorus or a minor character) Watching the credits, also got Martin Savage who I'm sure I know from *somewhere*, plus, for all you Coupling fans, apparently Richard Coyle was one of the chorus.

Sunday spent messing around in front of Royal Festival Hall with [livejournal.com profile] megolas and [livejournal.com profile] jamjar. We were supposed to be watching various acts - only we watched bits of a couple but mostly ate pasta and me and Megs snickered after having dived into the fountain while Jen looked on bemusedly, then suddenly got the bags thrown at me as Jen went in and attempted dignity whilst doing so. (of course, I was the only wearing a denim skirt which still wasn't dry by this morning) Also, found out that if we'd gone on saturday, matt Cutler would've been there. Yes, he's the latin champion, but all I know about this man is that he's bouncy, giggly, has an incredibly cute boyfriend, dances like a nutter til the end and his hips can do things that really, really should be illegal. And possibly metaphysically impossible. Also, he can't spin as long as me. Thppppbt.

And. um. oh. shit. What the hell do you do on a date with someone you've previously a) pulled, b) get on with, c) but only actually been around in a group context? (aside from the shagging, that is) Yours truly has only been on a few dates previously, which were all one-date wonders and... argh. I like this bloke. HELP.
burntcopper: (chaucer lit genius)
Just watched The Merchant of Venice, Al Pacino 2004 version. Oh my god *stabbity*. Seriously, by the end I just want to stab pretty much every character except Shylock. And Antonio gets a bit of his just reward by the end, so not so much stabbity and actually, y'know, is not a self-involved selfish fuckwit like the rest of the cast.

Long-term readers of this lj will already know my feelings towards Jessica, Shylock's daughter who runs off with her dad's money. However, after seeing the play for a second time and concentrating a bit more on the words, (though they probably edited her part down a bit for film so she comes across as more sympathetic), I now want to stab the rest of the cast. Many times. The largest knives being reserved for Portia. The lads are... well, Bassanio's a using fuckwit who gets by on being pretty and living off whoever he's sleeping with's money, that's established in the first scene when he asks Antonio for money. (also known as 'Hi, I've got you wrapped round my little finger to the extent that I feel completely comfortable asking my lover for the money to marry someone who I completely admit I'm only marrying because she's gorgeous and loaded'). His mate's just laddish and full of himself. And *isn't* marrying for money.

Portia though... oh dear lord. First act : 'Hi, I'm clever, funny, and I know I'm gorgeous. Aren't I great?' Second act : Not content with having got Antonio off the hook from the pound of flesh, she proceeds to twist the knife. Again and again and again. Just to show how clever she is and how much she's read the law, and she does this with complete glee because she's pleased with how clever she's being. 'Right, now that we've established that you can't cut Antonio because you can't shed his blood, you can't have the money you're owed either instead. Oh, and half your goods go to Antonio because you're reneging on the deal. And the other half goes to the court. And did we mention your lands? And Antonio, you can add another sting... Ooo, you have to embrace Christianity and leave your community and all that. Sucks to be you.' Pause. 'And while I'm at it, hubby, in payment for saving your boyfriend, I want that ring I made you promise never to take off. Just to see if I can. And then when I get home, I'm going to ask to see the ring and then call you faithless and inconstant for giving up the ring which I blackmailed you into giving up.' :winning smile: 'Aren't I *great*?'

STABBITY.

Though, um, I seriously don't get the people who call this play anti-semitic. Er, no. The entire play is about how the rest of the cast and society are anti-semitic and the only person who's in the right is the Jew, and considering the 'pound of flesh' is a joke at first, then after his daughter fucks him over he gets a wee bit focussed on revenge. But note that legally he is still in the right. And still a better person than the rest of the main cast. The point being that anti-semitism is wrong, no matter how pretty and rich you are.

In other news, great acting, gorgeous film, wonderfully set mood and tone-wise. And the way there's no concept of private space at any time. Props to the director and cast for making all the speeches sound like conversation or quite natural rants. Even if Al Pacino's voice has always annoyed me.

[livejournal.com profile] poisoninjest, feel free to wade in at any time...

:deep breath: Now I'm going to watch Battlestar Galactica, where everyone at least knows they're fucked up.
burntcopper: (just try it)
Much ado about nothing : dammit. I love this film. Really I do. The Benedick/Beatrice banter is a joy to behold, and Denzel... oh, Denzel. Not just *mrowr*, but ♥.

But argh, I'd forgotten how much I hate Claudio as a character. STABBY.

That and Keanu's acting. :winces:

Well, and the fact that Branagh can't handle any 'Fool' scenes. I've seen those done well. Michael Keaton and Ben Elton look like gurning idiots.

So I fast-forwarded through the bad stuff and rewinded the Benedick/Beatrice, then swooned over Denzel a bit more. It's the only thing you can do, really.
burntcopper: (here be monsters six)
I've just watched the 300 trailer. And now I can't stop whimpering.

Oh my god it's PRETTY. I mean seriously, it's beautiful. The lighting, the framing, the colours, that's a piece of pure visual cinematic *poetry* there. LOTR has nothing on it.

It's just... it's Frank WHOREWHOREWHORES Miller. WHORESWHORESWHORES.

You know him. WHORESWHORESWHORES. You know he's a misogynist bastard with a machismo fixation. WHORESWHORESWHORES. You know how he writes. WHORESWHORESWHORES. You know he's got a very small penis. WHORESWHORESWHORES. You don't understand how his wife reconciles being married to a man who has this opinion of the world. WHORESWHORESWHORES. You know the sheer racism/sexism/sick moral judgement of the book. WHORESWHORESWHORES. You know there's some spouting about freedom and slaves when it's monarchy and Sparta being built and supported by standing on the damn slaves.

I own 300. I haven't gotten round to going anywhere near ebay in the last few months, but it's going on there. I bought it back when I was enamoured with his style and could mostly close my eyes to the WHORESWHORESWHORES.

300 is a gorgeous, coffee-table book. Lynn did a beautiful job with the colouring. It's well-paced. It's so well-laid out it makes your eyes bleed. However, fortunately, it's not perfect due to the way Frank draws stuff - that weird, gritty, wrongly-angled way that's not quite right.

300 the film? Has no ugly Miller drawing style. It's taken Lynn's colours and run with them and made them even more beautiful. And you're left with nothing but the frankly horribly uncomfortable feeling of having to admit that Frank WHORESWHORESWHORES Miller is a design and layout genius. No, really. So many of the shots in the trailer you could practically lay a page from the book over the screen (helps that the book was all double-page spreads to emphasise the widescreen feel) and have everything match up perfectly. And these are some of the most beautifully framed shots. Things like kicking the Persian ambassador over the pit, or soldiers being backed off the cliff, or the shot of the oracle in the throes of a vision... they're all Miller shots.

So you're sitting there going oh my god the pretty but feeling so uncomfortable at the fact that it comes from sheer skeeviness that is Frank WHORESWHORESWHORES Miller.

AUGH.
burntcopper: (colin)
Spent part of the day surfing for pics of ivy and alphonse mucha images for tattoo to mail to tattoo artist so he can come up with an image for my back.

Nano is finished as of last night, though the ending may feel rushed due to not being nearly as wordy as the rest. It's over at [livejournal.com profile] darkisrising, in chronological order due to being written that way. [livejournal.com profile] ruthi, if you read this, tell me what you think. it'll be edited for the godawful spelling sometime later.

Watched Pride and Prejudice since I'd been promising myself it since I started. Glad to see that the dances at Netherfield (ie, the posher ones) are how I remember.

Someone needs to kill my Mary Sue Bunnies. They've gone and gone all melodramatic on me. Even more so than usual. Most disturbing. :kicks one of them: (for those not in the know, I use my Mary Sue universe to work out all the really *bad* impulses in fic. It has a habit of reading like Chick-lit with added Mills and Boon.)

Went to see Casino Royale with flatmate. (If you lose track, I have three flatmates) BEST EVER BOND. BEST EVER FILM OF ENTIRE SERIES. Action sequences. Daniel Craig. Verper being cooler than the majority of Bond Girls. Casino. Daniel Craig. The Aston Martin. MI6 working away in background. Script of fucking fabulous sniping and one-liners. There's one near the end that had nearly every girl in the place choking in laughter. Daniel Craig. Flatmate and I spent film squeebling, and then discussing just how damn cool the film was when we got out.

I only have two quibbles. The title sequence was cool, but not as cool as it could have been, song kind of average. (soundtrack on other hand was beautifully done). And Mads Mikkelsen doesn't clean up as well as you'd think. From now on I demand that he remain scruffy. He's far sexier like that.
burntcopper: (hypocrisy)
Was debating on whether to go see The Departed, which is apparently a remake of Infernal Affairs. I *loved* IA. Hong Kong triad boss puts an undercover agent into the police force, and at the same time the police put an undercover agent into the triads. IA, for those who need more incentive to see it, is fucking gorgeous, amazingly shot, edited, acted and so on, and seriously engrossing. It's just... remake. The only remakes I've liked have been the Japanese horror remakes like The Grudge and The Ring. Oh, and The Birdcage.

Then poked it to see who was in it, all big names... and then realised I've seen bugger all of their work. Scorcese I've seen a bit of Goodfellas. Leo I've seen Romeo + Juliet (many, many times). Matt Damon : Dogma, Chasing Amy, Jay & Silent Bob Strike Back, Ocean's Eleven. Mark Wahlberg : Three Kings, Renaissance Man (and Entourage). Jack Nicholson : Batman, Mars Attacks. Martin Sheen : a tiny bit of Apocalypse Now, Hot Shots part Deux, and I can't remember if I saw his Spin City eps. Sort of disturbs me that most of what I've seen of theirs is the piss-take stuff, or Askewniverse in the case of Matt Damon. Ray Winstone, who's next on the bill and almost certainly playing a supporting role of cop or mafia? Plenty of his. Oodles. :fangirls:

And hah! I knew it! Val Kilmer was the Sherpa weed-dealer in Entourage! Whilst watching it : ...Have I seen him before? ...I'm sure I've seen him. ...Hang on, is that Val Kilmer under there?

Val Kilmer and Brad Pitt : a propensity for playing strung-out nutters whilst under a large amounts of make up and/or facial hair. I now have the urge to fast-forward through True Romance just to see Brad as the druggie and Val as Elvis.
burntcopper: (original sinner)
It's a nice film. Directed and adapted by the bloke who did the Emma screenplay, so it flows nicely. It's also a game of 'Spot the respected British Actor' - Juliet Stevenson, Christopher Plummer, Jim Broadbent, Timothy Spall, Tom Courtenay, Alan Cumming, Jamie Bell (yes, we are including him as the boy deserves it)... And they're all fabulous. Really, really fantastic. As is Nathan Lane. Everyone's of such good quality, that Charlie Hunnam falls down as Nicholas. He's not bad, he's just not as good as everyone else who all outshine him. Especially considering he's up against Jamie Bell as Smike (little cripple boy, and he's so convincing as a lame boy that it's bloody amazing, considering this is a boy known for his grace) and Christopher Plummer for a lot of his scenes. Recommended, probably chopped to smithereens to get it into 2 hours, but pretty good.

And now for the slash commentary. You knew this was coming. This film is all about the Nicholas/Smike. From the instant Nicholas makes friends with Smike, it's all about protection, seeking comfort, limpid looks and 'comfort me' looks from Smike (Jamie does hurt anguish looks so well), begging each other not to leave them, declarations of love and devotion (I'm serious about this), and dear god, the scene in the abandoned house where they're staring into each others' eyes and saying they love each other and promisig never to leave the other one's side? Ther is no subtext. None whatsoever. So much so that when Smike's dying from consumption at the end and saying he loves Kate, Nicholas' sister, you're going 'Shyeah, right. Just because Nicholas has decided to moon over this girl he's met all of three times for two seconds. And that lock of hair is not Kate's, admit it.'

But Christopher Plummer is such a bastard it's wonderful, and yay! Dickens did a three dimensional rich bastard! It's rather sweet how fond he is of his niece Kate, even if he is quite willing to use her to curry favour.

The quest for trousers is still a miserable failure. Need to complete an application form for Short-Text writer for the Tate and a letter for another job before I bugger off to Nottingham until Tuesday - Gran's birthday, plus she's sick and it doesn't look like she's got too long left, and we're also going to be organising the house a bit so she can get home help. She's lost a lot of mobility and there's no way she's going into a home, and the general consensus is someone to help her with housework, shopping and provide company's best, plus it's a hell of a lot cheaper.

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April 2014

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