burntcopper: (rose cap)
The Sherlock series raised an interesting thought. Gatiss and Moffatt (evil duo of EVIL) mentioned their glee at realising they didn't have to change a single reference to Watson's background, that of an army doctor invalided out from Afghanistan becasue that's going on right now. The audience doesn't need a single bit of explanation. You could even just say 'the war' and they'd all nod and go 'yeah, Afghanistan, got it'.

Which got me thinking that it's become one of the constants of this time period. Like, oh, I don't know, youtube and facebook. Writers of all media drop references to it without an explanation, expecting the audience to get it, as it's not a flash in the pan. Future audiences watching/reading/listening to stuff from this time may require footnotes as no-one from the period needs one.

Terry Pratchett's Only You Can Save Mankind doesn't detail which war is constantly on the news (It's Gulf War #1) but given the way British forces are constantly involved in peacekeeping, it was a relatively safe bet for the writer. Given that GW1 lasted a relatively short period, there's relatively few references to it without explanation. The current period, no explanations.

A few examples : Supernatural, when an ex-soldier asks where Dean was stationed, he says "Hell", and the soldier nods and goes "Right, Helmand." The writers expect the audience to get it automatically, no further reference. Terry Bellefleur on True Blood has PTSD from his tour. TV series (especially hospital dramas) will devote a storyline/ep to someone back from the war like they would, I dunno, a divorce because it's just another strand of daily life. Soldiers on the train don't rate a second glance.

Seriously. This period is like unto Regency and post-WW1 literature, much of which has characters regularly back from the wars and often not talking about it because the people back home wouldn't get it.

And of course, anyone writing this period will feel compelled to drop a reference to Afghanistan to show that it's set in this period. There'll be the obligatory character back from the war, or screen in the background showing bbc news with another casualty report while commentators/critics will go 'oh god, another lazy marker of the turn of the century' while others argue that it was a such a constant that you have to have at least a background reference otherwise it wouldn't be realistic.
burntcopper: (pout)
Fic. Evil. Still, at least they're close to finish. Grabbed [livejournal.com profile] rozk for a quick and dirty lookover, and she pointed out that I really needed to figure out *which* war I dumped them in as that would change what nickname they had for the enemy. After mugging [livejournal.com profile] mingmerciless, I'm going with the Malaya post-war clean-up and then Emergency, so I'll be using 'Terrs' or 'CTs' for nickname (traditional British understatement - communist insurgency. For other classic naming devices, see the Troubles. I did love the first time I read a non-British report on this where they pointed out that it was a low-grade war and if it had been anywhere else, we'd be yelling rather than studiously trying to ignore it.) The advantages of having a military geek as a mate - 'Ming, I need to dump a technically green officer into a war, post '45, what's feasible? And the timeline when I add officer training?' Plus I can fudge dates even more since you went with your regiment, not dumped in on your own - wouldn't see battle immediately.

New and sulky thing that I can't use because my fic takes place a couple of years too early. I can't put Peter in the SAS. Yet. They were re-formed in *1950* as a response to this (which fed into Korean war etc.). and of course I only even thought of this when I found the footnote in an article on the Emergency. SULK. (ooops, need to remove mention of one weapon since I found an article that even details the attack style/weapons/uniform of the CTs...)

Got interesting experience of a new beta who tells me off for sentence structure - use of choppy vs. flowing in different places. And she doesn't like 'rough' narration (good for dialogue, not for narration). Wonder if I should show her my other fic - I've been told the short cut-off sentences are a hallmark of mine.

Then there's the missing-scene one where Pevensies are telling tales and Caspian goes 'er, WHAT?'. I had been trying to keep it low-key and Roz told me that his bugging out needs to be more obvious and explicit in terms of inner dialogue since it's *his* POV. Of course, bunnies kicked in once I started expanding and I made myself go to bed before I finished it. :sigh: I'm supposed to be getting *sleep*!

:wails: work, I've managed to get 10% of my usual done due to everything buggering up or problems coming to a head plus queries and Tom coming to me to ask stuff since Lissy is in Liverpool conducting interviews and - :whines: surely just because I'm the most experienced doesn't mean that everyone should be coming to me for solutions? right? right?

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April 2014

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